[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb]<\/p>\n
St\u00e9phane Chausse: Clarinette, Flute, Saxophone, Ewi<\/p>\n
Matthieu Chazarenc \u2013 batterie, percussions<\/p>\n
Khalil Chahine \u2013 Guitare, Mandoline<\/p>\n
Icheme Zouggart \u2013 basse\u00a0<\/p>\n
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New album <\/span>\u2013 <\/span>Released April 15, 2022 <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n \n \n \n Exhibitionism is undoubtedly the term that fits least well with the personality of <\/span>Khalil Chahine<\/span>, one of the most discreet and talented French composers. The choice of this title for his ninth album, despite the spell of <\/span>K<\/span>, perfectly illustrates what he thinks of this vanity fair that is the profession of artist. <\/span><\/p>\n C\u2019est au contraire, dans la douceur et l\u2019e\u0301quilibre que viennent s\u2019installer au creux de nos oreilles les 9 compositions de l\u2019album, qui, sans e\u0302tre en rupture avec ses pre\u0301de\u0301cesseurs nourris d\u2019orchestres symphoniques et de cordes, se distingue a\u0300 plus d\u2019un titre. Elles sont pourtant la\u0300, les cordes, lumineuses et sensibles sous les doigts d\u2019<\/span>un quatuor <\/span>forme\u0301 d\u2019<\/span>Analuna Chahine<\/span>, de <\/span>Christophe Cravero <\/span>et des fre\u0300res <\/span>Brunard<\/span>, mais ce sont ici les vents qui l\u2019emportent. <\/span>Ste\u0301phane Chausse<\/span>, en multi instrumentiste de talent, de\u0301ploie la majeste\u0301 de son jeu, lorsqu\u2019il s\u2019empare de la clarinette, de la flu\u0302te ou du saxophone, ou encore de l\u2019Ewi, ce \u00ab contro\u0302leur a\u0300 vent e\u0301lectronique \u00bb. Et l\u2019on se surprend de\u0300s le premier titre, a\u0300 e\u0302tre suspendu a\u0300 la vibration de sa clarinette, a\u0300 l\u2019unisson d\u2019une mandoline et d\u2019un violon. <\/span><\/p>\n \u00ab\u00a0Vers le Symorgh\u00a0\u00bb<\/span>, second titre de l\u2019album, quant a\u0300 lui, illustre parfaitement la personnalite\u0301 de ce <\/span>musicien <\/span>qui, perpe\u0301tuellement, cherche a\u0300 comprendre <\/span>le <\/span>monde. L\u2019oiseau de la connaissance dans la <\/span>mythologie perse<\/span>, qui niche dans l\u2019arbre du savoir, remplace ici le faucon emble\u0301matique des pre\u0301ce\u0301dents albums et met sa bienveillance au service de l\u2019humanite\u0301. C\u2019est sans doute le titre le plus \u00ab <\/span>Chahinien <\/span>\u00bb de tout l\u2019album, qui n\u2019est pas sans rappeler un certain \u00ab <\/span>Mektoub <\/span>\u00bb de 1989. <\/span><\/p>\n<\/div>\n \u00ab\u00a0Mescaline\u00a0\u00bb <\/span>, me\u0301lope\u0301e hypnotique nous plonge dans une mer de sensations d\u2019un passe\u0301 houleux, comme la gue\u0301rison bienvenue d\u2019une douleur ancienne. Khalil retrouve les excellents camarades, <\/span>Icheme Zouggart <\/span>a\u0300 la basse, <\/span>Mathieu Chazarenc <\/span>a\u0300 la batterie et le trompettiste <\/span>Claude Egea <\/span>pour une collaboration e\u0301claire\u0301e. <\/span><\/p>\n La surprise vient surtout de <\/span>\u00ab\u00a0Tranquila Moc\u0327a\u00a0\u00bb<\/span>, mouvement tranquille qui e\u0301voque l\u2019e\u0301vidence de l\u2019amour, chante\u0301e par le portugais <\/span>Salvador Sobral<\/span>, dont la voix, touchant me\u0301lange de gra\u0302ce et d\u2019inspiration, se faufile comme une eau bienfaisante sur les mots de <\/span>Jenna Thiam<\/span>, donnant a\u0300 entendre ce qu\u2019<\/span>\u00ab\u00a0E\u0301crire avec de l\u2019eau\u00a0\u00bb<\/span>, balade aquatique ou\u0300 la guitare flirte avec la saturation, sous-entend. <\/span>Khalil Chahine <\/span>excelle de\u0301cide\u0301ment dans la composition de chansons. <\/span><\/p>\n Ce neuvie\u0300me opus confirme ce qui se joue depuis de nombreuses anne\u0301es, le talent d\u2019un artiste qui ne livre son intimite\u0301 et son ressenti du monde qu\u2019a\u0300 travers sa musique. <\/span>Viktor Lazlo <\/span><\/p>\n \u00ab\u00a0Picasso disait que peindre c\u2019est tenir son journal. Il en est de me\u0302me pour composer. C\u2019est tenir un journal et c\u2019est aussi sculpter jour apre\u0300s jour des me\u0301lodies, des harmonies, des rythmes pour raconter des histoires de conjoncture. Ekzhibition 104, c\u2019est une exposition de tableaux musicaux de circonstance, vivants et changeants puisque les notes s\u2019e\u0301vanouissent aussito\u0302t qu\u2019elles sont re\u0301pandues pour, espe\u0300re-t-on, s\u2019inscrire dans le souvenir\u00a0\u00bb. <\/span><\/p>\n Khalil Chahine <\/span><\/p>\n<\/div>\n<\/div>\n www.<\/span>continuomusique.com <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/Aqyp0BwXXFo\u00a0\u00bb _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/matthieuchazarenc.com\/wp-content\/uploads\/2021\/03\/KC2-Kafe-Groppi.jpg\u00a0\u00bb title_text=\u00a0\u00bbKC2 Kafe Groppi\u00a0\u00bb _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/matthieuchazarenc.com\/wp-content\/uploads\/2021\/03\/KCportrait.jpg\u00a0\u00bb title_text=\u00a0\u00bbKCportrait\u00a0\u00bb _builder_version=\u00a0\u00bb4.8.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" St\u00e9phane Chausse: Clarinette, Flute, Saxophone, Ewi Matthieu Chazarenc \u2013 batterie, percussions Khalil Chahine \u2013 Guitare, Mandoline Icheme Zouggart \u2013 basse\u00a0 Nouvel album – Sortie 15 avril 2022 L\u2019exhibitionnisme est sans doute le qualificatif qui s\u2019accorde le moins bien avec la personnalite\u0301 de Khalil Chahine, l\u2019un plus discrets et talentueux compositeurs franc\u0327ais. Le choix de ce […]<\/p>","protected":false},"author":1,"featured_media":697,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed non risus. Suspendisse lectus tortor, dignissim sit amet, adipiscing nec, ultricies sed, dolor. Cras elementum ultrices diam. Maecenas ligula massa, varius a, semper congue, euismod non, mi. Proin porttitor, orci nec nonummy molestie, enim est eleifend mi, non fermentum diam nisl sit amet erat. Duis semper. Duis arcu massa, scelerisque vitae, consequat in, pretium a, enim. Pellentesque congue. Ut in risus volutpat libero pharetra tempor. Cras vestibulum bibendum augue. Praesent egestas leo in pede. Praesent blandit odio eu enim. Pellentesque sed dui ut augue blandit sodales. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Aliquam nibh. 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